Somerset & Devon Live Event Sound & Lighting Services
Somerset & Devon Live Event Sound & Lighting Services
All prices are for a standard week hire.
Compact, powerful, and incredibly easy to use, the Behringer FLOW 8 is a modern digital mixer designed for live sound, streaming, and small productions without the complexity of traditional digital desks.
Perfect for bands, solo performers, presenters, and small events, the FLOW 8 delivers professional sound quality in a lightweight, portable unit.
FLOW 8 is built for ease of use. Whether you’re experienced or just getting started, the built-in setup assistant guides you through connecting inputs and optimising your sound with tailored presets for instruments and microphones.
Achieving clean, balanced audio has never been easier. The EZ-GAIN feature automatically sets the correct input levels across channels, ensuring optimal headroom and reducing distortion – ideal for quick setups and changing performance conditions.
Control your mix from anywhere in the room using the free iOS or Android app. Adjust EQ, compression, effects, and levels in real time without being tied to the mixer position – perfect for live sound environments.
Featuring Midas-designed preamps and 32-bit internal processing, FLOW 8 delivers clear, professional audio. Each channel includes EQ, compression, effects sends, and monitor mixes, providing full control over your sound.
Two studio-grade effects engines offer a wide range of reverbs, delays, and modulation effects, helping you add depth and polish to vocals and instruments.
Save and recall full mixer settings instantly. Ideal for events with multiple acts, rehearsed setups, or repeat performances – everything can be recalled in seconds.
Stream music directly to the mixer via Bluetooth – perfect for background music, interval playback, or quick audio feeds without cables.
The integrated USB interface allows multi-track recording and playback, making FLOW 8 ideal for streaming, podcasting, or home recording setups without additional hardware.
SQ SLink provides engineers with the option to add an intelligent SLink port to any SQ or AHM mixer.
Note: The built-in SLink port and the then additional SLink Option Card port are operated independently of each other and can work in 3 different modes: dSnake / ME, DX or GigaACE
AB168 is a 48kHz portable remote AudioRack for use with Qu, Avantis and SQ mixers, and with AHM audio matrix processors.
+60dB of gain, Phantom Power indicators and -20dB pad for line level sources.
Balanced, relay protected line outputs on XLR.
For daisy-chaining 2 compatible Expanders or connection to ME personal mixers.
No configuration required, just connect to your mixer and you’re ready to go. Firmware updates are handled automatically by the mixer.
Ready for the Stage
The Expander’s rugged design, with hard-wearing rubber bumpers, allows it to be placed directly on the stage floor during performances. Weighing in at just 4.8kg and featuring a sturdy carry handle, the AB168 offers the convenience and portability needed in rental, education, houses of worship and many other environments. An optional 4U rack mounting kit is available for installation in 19-inch racks.
Put It Where You Need It
The AB168 can be placed up to 100m away from the mixer for maximum flexibility of positioning. The unit connects over a single Cat5 cable to the mixer or upstream Expander. A second port is provided for daisy-chaining to another compatible expander or for connection to a ME personal mixing system.
AR2412 is a 48kHz, 24 XLR input, 12 XLR output AudioRack, compatible with Qu, Avantis and SQ mixers, and with the AHM audio matrix processors.
+60dB of gain with -20dB pad for line level sources.
Balanced, relay protected line outputs on XLR.
Dedicated ports for connection to an AR84 or AB168, and to the ME Personal Mixing System.
No configuration required, just connect to your mixer and you’re ready to go. Firmware updates are handled automatically by the mixer.
Put It Where You Need It
The AR2412 can be placed up to 100m away from the mixer for maximum flexibility of positioning and includes rack ears for mounting in a 3U 19″ rack space.
The unit connects over a single Cat5 cable to the mixer or upstream Expander. A second port is provided for daisy-chaining to another compatible expander or for connection to a ME personal mixing system.
This professional-grade 4-way Cat5e Ethercon multicore is perfect for live events, theatre productions, and AV installations requiring reliable network or DMX distribution. Housed on a durable wheeled drum for easy transport and setup, the 75-metre cable allows flexible stage and venue coverage without compromising signal integrity.
Key Features:
Ideal for touring bands, production companies, and event technicians needing a quick, safe, and organised cable solution.
Take control of your show with the Zero 88 FLX – a powerful, professional lighting console designed for theatre, live events, touring, and broadcast. With dual multi-touch screens, hands-on faders, and an intuitive interface, the FLX makes programming complex shows simple and reliable.
Supplied in a rugged flight case and fully tested before each hire, this console is ready to hit the road. Whether you’re running cue stacks for a play, creating bold effects for a concert, or managing intelligent fixtures at a corporate event, the FLX delivers.
Included with Hire:
Key Features:
The Allen & Heath SQ-5 is a premium 48-channel digital mixer designed for professionals who need exceptional performance in a portable format.
48 channel, 96kHz digital mixer for live sound, AV and installation.
Compact, powerful, and versatile, the Allen & Heath SQ-5 is a premium 48-channel digital mixer designed for professionals who need exceptional performance in a portable format. It features 16+1 motorized faders, 16+1 onboard preamps and 8 assignable SoftKeys, providing comprehensive control in a compact 19” rack-mountable design.
Mixing Has Never Been Easier
Channels and mixes can be dragged and dropped to any strip, with custom naming and colour coding on the displays, allowing you to build a mixing environment that works for you.
Each strip features our patented Chromatic channel metering system, giving you at-a-glance level indication thanks to LEDs with variable brightness and colour.
SQ’s dashboard is centred around a high-res 7” touchscreen, framed by an array of high-grip, illuminating encoders to create an intuitive, integrated blend of clear visual feedback and immediate, hands-on control.
All SQ mixers feature SoftKeys which can be assigned to commonly used functions. The SQ-6 and SQ-7 also provide assignable Soft Rotaries for even more custom control.
All the Tools for the Perfect Mix
Powerful Processing
Every input has HPF, a super-fast gate with sidechain and filter, a musical 4-band parametric equaliser with RTA, and Peak/RMS compressor for control and shaping of levels and transients.
Mixes have both a parametric and 28 band graphic EQ along with compressor as standard, all ready to switch in when required.
World-Class FX
SQ is armed with 8 stereo FX engines and comes complete with the acclaimed RackExtra library, featuring emulations of legendary classic reverbs, gated reverbs, delays, modulators and more.
Every engine has its own dedicated stereo return too, so you don’t need to use up any of your 48 input channels.
Record. Stream. Mix.
SQ’s built-in 32×32 96kHz audio interface enables easy multitrack recording, backing-track playback, livestreaming and virtual soundcheck.
The interface is class-compliant on Mac OS X making it truly plug ‘n play, with ASIO and WDM compatible drivers available for Windows computers.
You can even map the SQ’s faders, rotaries, channel keys and softkeys to control your favourite DAW using the Allen & Heath MIDI Control app.
Take Your Mix to the Next Level
Proven on countless world-tours with international artists, DEEP Processing and RackExtra FX from our award-winning dLive digital mixing system is now available within your SQ.
Record to USB
The integrated SQ-Drive makes it quick and easy to capture and playback 16 channels (96kHz), 32 channels (48kHz), or a stereo recording of the performance direct to a USB key or drive.
No software setup, no soundcard driver issues and no extra laptop to bring to the performance.
Automatic Mic Mixer
SQ’s advanced automatic mic mixers (AMM’s) make it a natural choice for mixing conferences, panel talks and TV shows. They’re fully integrated in the mixer too, with no extra latency, so you don’t need to route the audio to an internal DSP rack or an external plugin system.
Two fully independent 24 channel AMM’s can be utilised for two zones or combined into a single 48 channel AMM for larger events.
Designed for the Pro
We know that the live environment can be tough on gear – so for SQ we devised our most punishing regime of testing and retesting yet.
From its 3-tier, all metal chassis to its extruded aluminium light bar, SQ has tremendous strength and rigidity underlying its good looks.
All the Ins and Outs
Thanks to its SLink port, SQ can also be expanded up to a total of 48 mic inputs via the Everything I/O family of rack and stage box expanders making it a flexible, mix ‘n’ match solution for owners of other Allen & Heath digital systems.
Rapid QB1 HEX is a portable battery powered uplighter outputting ultra-smooth colours from rich saturated hues to subtle pastel shades. The compact and robust housing design makes this fixture extremely portable and easily concealable. The internal lithium battery has autonomy of up to 18 hours in single colour mode and up to 5.5 hours of colour fading and chases, while the charging time is only 5 hours. The light source is composed of 4 x 12W high-power RGBWAUV LEDs and the extractable foot allows you to adjust the tilt angle. The on-board wireless transceiver makes for a truly cable free operation and is W-DMX compatible.
Versatile and lightweight, the Colour Raider pack is ideal for uplighting walls, features and facades. Each fixture is loaded with 4 x 4W RGBW LEDs which output smooth colour fades and changes. The housing design incorporates a snoot to stop glare and a sit flat carry handle. Fixtures can easily be linked together to create larger coordinated lighting shows and the pack can be controlled by DMX or stand alone modes, an infrared remote is also included to allow easy control at the push of a button.
The Midas Spot is a revolutionary LED-powered moving head. It takes the LED output from a 60W source to the next level all within an amazingly compact fixture. The Midas Spot has an output comparable to a 250W discharge fixture. Much faster than many other moving heads the Midas Spot not only moves with agility it also keeps perfect synchronisation thanks to its automatic pan/tilt correction. The mighty power of its LED source, combined with 7 dichroic colours, a tri-colour filter plus open and 7 rotating, interchangeable gobos and the addition of a 3 facet prism along with motorised focus makes the Midas Spot a spectacular effect in any application.
1 x 60W white LED
Beam angle: 16°
16,000 Lux @ 2m
4kHz refresh rate
Motorised focus
3 facet prism
Gobo wheel: 7 rotating replaceable gobos + open (2 additional gobos supplied)
Colour wheel: 7 colours + tri-colour filter + open
DMX channels: 10 or 13 selectable
Auto, sound active, manual control and master/slave modes
Pan/tilt auto correction
16-Bit pan/tilt positioning
Pan: 540°, Tilt: 270°
0-100% dimming and variable strobe
Supplied with quick release omega clamp
Jog wheel menu with 2” LCD display
PowerCON input/output
3-Pin XLR input/output
Fan cooled
Specifications
Power consumption: 105W
Power supply: 100~240V, 50/60Hz
Fuse: T2A 250V
Dimensions
365 x 242 x 147 mm
Weight
6.9 kg
High power 5-in-1 colour mixing LED PAR Can built into an IP65 weatherproof housing for outdoor or indoor applications. Can be operated standalone from the internal auto programs or via DMX512 control. Pre-wired with waterproof power and DMX signal leads for easy connection and daisy-chaining. Supplied with split bracket which can also be used as a floor stand.
A lightweight, high output LED PAR can fitted with six COB RGB LEDs. This unit can be controlled by auto, sound-to-light, master/slave programs or via DMX. A great value solution for background wash illumination.
Features:
Specification:
The StarColor LED Flood Lights are made of high quality die-cast aluminium and tempered glass, IP65 waterproof grade, durable and antifreeze. These fixtures can be used at temperatures between -20 and +40 degrees Celsius and can withstand harsh weather conditions. By using the latest LED technology with RGBW colours and advanced lenses the StarColor Flood lights are able to create the right atmosphere for any occasion. Suitable for a wide range of applications from up-lighting a large venue or building to lighting up a stage for live performances.
| Product colour | Black |
| Light source | 4-in-1 LED |
| Colours | Red, Green, Blue, White |
| LED power (single LED) | 10W |
| Quantity of LEDs | 24 |
| Beam angle | 21° |
| Illuminance | 41.084 lx @ 1m |
| Flash rate per second | 1 – 24Hz |
| DMX channels | 4, 8, 10 |
| DMX connection | 3-pin XLR |
| Modes | Automatic programs, DMX, Manual |
| IP rating | IP65 |
| Cooling | Convection |
| Display | LED |
| Power plug | P-Con TR1 |
| Power consumption | 2.51 – 1.305A |
| Power supply | 100-240VAC 50/60Hz |
| Dimensions (L x W x H) | 270 x 140 x 300mm |
| Weight (kg) | 5.2000 |
| Included accessories | Mounting bracket, Power cable |
The SIXBAR 500™ features (6) 12W 6-IN-1 RGBAW+UV LEDs, 100,000 average hour LED life, 30° beam angle, individual control of each LED, variable dimming curve modes, strobe and chase effects, a UV wavelength of 395nm, ArtNet, KlingNet and RDM (remote device management) protocol support, 3pin and 5pin DMX, IP65 locking power cable, and RJ45 Ethernet in/out connections, LCD menu display with 4 button control panel, integrated dual rigging brackets, multiple unit power linking, rugged die-cast aluminum exterior, frost filter and glare shield included, flicker free operation for TV and FILM, 93W max power consumption, and a multi-voltage universal auto switching power supply (110-240v).
30° Beam Angle
ArtNet and KlingNet Support
RDM – Remote Device Management
Individual LED Control
Variable Dimming Curve Modes
Multiple Unit Power Linking
Rugged Die-Cast Aluminum Exterior
Flicker Free Operation for TV and FILM
(6) 12W 6-in-1 RGBAW+UV LEDs
100,000 Hour Average LED Life*
*Lamp Life may vary depending on several factors including but not limited to:
Environmental Conditions, Power/Voltage, Usage Patterns (On-Off Cycling), Control and Dimming.
PHOTOMETRIC DATA
6,500 LUX 604 FC @ 1m (3.3’) (30° Full ON)
1,934 LUX 180 FC @ 2m (6.6’) (30° Full ON)
901 LUX 84 FC @ 3m (9.8’) (30° Full ON)
508 LUX 47 FC @ 4m (13.1’) (30° Full ON)
318 LUX 30 FC @ 5m (16.4’) (30° Full ON)
Strobe and Chase Effects
Individual LED Control
Variable and Selectable Dimming Curves
RGBAW+UV Multi-Chip LEDs
CONTROL / CONNECTIONS
8 DMX Channel Modes (6 / 7 / 11 / 13 / 18 / 36 / 39 / 43)
4 Button Control Panel and LCD Menu Display
ArtNet + KlingNET Protocol Support
RDM (Remote Device Management)
(2) locking ethernet Ports
3pin and 5pin DMX In/Out
Locking power cable In/Out
With Wired Digital Communication Network
Length: 450mm (17.7”)
Width: 206.4mm (8.1”) *with included glare shield
Vertical Height: 155mm (6.1”)
Weight: 4.1 kg (9.0 lbs.)
AC 110-240V – 50/60Hz
93W Max Power Consumption
Power Linking: 11pcs @110V / 25pcs @240V
-15°C to 45°C (5°F to 113°F)
UV Wavelength: 395nm
Glare Shield
Frost Filter
Mounting Screws for Glare Shield and Frost Filter
The Fusion 200 Zoom Spot features a single 200W LED and produces stunning light shows with a motorised zoom from 11°- 25°. Offering 7 colours plus open along with a rotating and static gobo wheel each containing 7 gobos plus open, the fixture is ideal for installation and mobile performers alike. Two bi-directional prisms (6 facet circular and 5 facet linear) further bolster the fixtures comprehensive features and a motorised zoom keeps the gobos razor sharp over any distance. The four button menu and LCD display, along with powerCON and DMX inputs/outputs, further enhance the fixture.
Housing 7 x 18W HEX colour LEDs, RGBWAUV the Fusion 140 moving head wash gives smooth colour mixing from rich saturated hues to subtle pastel shades. The compact and lightweight design allows for easy transportation and installation. The 4 button LCD menu allows for easy access to the functions including DMX, auto, sound active and master/slave modes. Fast movements along with a host of on-board options makes this fixture ideal for either installations or mobile entertainers.
The Behringer DI800 V2 Ultra-DI Pro 8-Channel Active DI Box is a rack-mountable DI box ideal for accommodating large groups of musicians on stage or in the studio.
The DI800 V2 is much more than your average DI box. Thanks to its -30dB attenuation switch you’ll be able to connect speaker outputs of up to 3,000 watts and convert them to balanced XLR outs. If you’re recording a delicate part or weak signal you’ll be able to utilise the DI800 V2’s +20dB boost switch.
The Gold plated XLR ouputs provide reliable, ultra-low noise operation. And ground Loops will become a thing of the past thanks to the handy ground lift. The DI800 V2 does everything a stand-alone passive DI box can times eight!
AM 1125 is a 120W mixer-amplifier with 5 audio inputs. Audio input 1 has phantom power supply and get the priority over the other audio inputs through an external command or automatically thanks to the VOX circuit. Dual RCA connectors can be used to link stereo (unbalanced) sound sources (e.g. CD, MP3 players, tuners, etc.). The amplifier output is available both for low impedance loudspeakers (min. 4 Ohm) or 70/100 V constant voltage lines (for loudspeakers with 70/100 V line transformers). It can also be powered by batteries (24 V dc voltage), in order to ensure its proper operation even when the mains supply is unavailable.
The Eagle PA4120E is a robust 120-watt RMS mixer amplifier, ideal for medium to large public address (PA) systems, events, and venues. It features five input channels: one balanced microphone input with voice-operated priority, two additional unbalanced microphone inputs, and two auxiliary inputs for background music or playback devices. The front panel provides separate bass, treble, and individual volume controls for each input, allowing flexible sound management.
This amplifier supports both 100V line and low-impedance (8Ω) loudspeakers, making it suitable for distributed audio installations or direct speaker connections. It can be powered by standard mains (230V AC) or 24V DC, making it versatile for fixed or mobile setups, including commercial vehicles and marine applications.
Key Features:
A 15W PA horn speaker with 100V transformer offering several different power settings. The housing is moulded from high impact ABS material to offer maximum protection against physical or weather damage. Reflex loading and a rectangular flared aperture ensures efficient and directed sound delivery over large areas.
The Extron XTRA™ Series XPA 2001 is a half rack 1U, convection cooled power amplifier delivering 200 watts into a 70 volt or 100 volt line. This professional grade amplifier features a 100 dB signal-to-noise ratio with less than 0.1% THD+N. The XPA 2001 is an Ecofficient Level 3 amplifier with an Extron exclusive, highly efficient, advanced Class D amplifier design. It also features patented CDRS™ – Class D Ripple Suppression technology that provides a smooth, clean audio waveform and an improvement in signal fidelity over conventional Class D amplifiers. The XPA 2001 is housed in a half rack width metal enclosure, conserving rack space and weighing only 2.5 lbs (1.1 kg). The Extron exclusive, high efficiency design generates very little heat and allows the amplifier to be convection cooled.
The XPA 2001 amplifier is an Ecofficient Level 3 product that conserves energy and reduces costs. With an auto power-down feature that automatically places the amplifier into standby after 25 minutes of inactivity, it consumes just 10 watts when idle and less than 1 watt in standby mode.
The XPA 2001 is housed in a compact 1U, half rack width enclosure. This amplifier is UL 2043 plenum rated when used with the optional Flexible Conduit Adapter Kit, allowing for a concealed installation above a drop ceiling to prevent theft while providing convenient placement of AV equipment.
The XPA 2001 delivers 200 watts rms for high impedance speaker systems in voice reinforcement and distributed audio applications. The XPA 2001 is available in 70 volt and 100 volt models.
The XPA 2001 accepts balanced and unbalanced input signals and includes recessed, detented level controls located on the rear panel to prevent tampering. These controls allow for adjusting audio system gain structure, or setting individual levels for each zone. For applications requiring volume adjustment and muting control from a location other than the amplifier, remote control capability is available using the optional Extron VCM 100 or VCM 200 analog volume and mute controller or VC 50 analog volume controller. Additionally, the XPA 2001 includes multiple protection circuits that momentarily activate when an abnormal condition, such as overheating, is detected. An advanced, automatic clip limiter protects speakers from clipping distortion.
Key Features
The CS-304 outdoor speaker features stainless steel hardware for all-weather durability. It is designed to offer the high intelligibility of weather-resistant horns combined with the high sound quality of dynamic speakers. The CS-304 employs the rotary switch that facilitates impedance changes. It also employs a constant directivity horn for clear sound output over its horizontal range of 90°operation.
| Frequency response | 120 Hz – 15 kHz |
|---|---|
| Sensitivity (1 W, 1 m) | 98 dB |
| Rated input (100 V) | 30 W |
| Tappings (100 V) | 100 V : 330 Ω (30 W) / 500 Ω (20 W) / 1 kΩ (10 W) 70 V : 170 Ω (30 W) / 330 Ω (15 W) / 500 kΩ (10 W) / 1 kΩ (5 W) |
| Speaker component | 12 cm cone-type |
| Operating temperature | -10 °C to +55 °C |
| Finish | ABS resin, off-white |
| Dimensions | 366 x 230 x 272 mm (W x H x D) |
| Weight | 3.1 kg |
Key Features
The Mackie SRM450 version 2 delivers live sound that sounds like it should. With the SRM Series Portable Active Loudspeakers, Mackie include the technology to help you focus completely on your performance instead of being distracted by constant EQ and level tweaks.
Many portable loudspeakers produce lows that lack substance but the SRM450 V2 delivers astonishingly deep and defined bass frequencies, outperforming the original SRM450, which was renowned for its ability to deliver real low-down sound. That’s thanks to the SRM450 V2’s Servo Feedback technology combined with its all-new neodymium woofer and 3-inch voice coil.
The SRM450 V2 employs reliable protection circuitry, a built-in limiter for less distortion at peak levels, and an automatic sliding high pass filter to give you that little bit extra volume when the crowd demands more. Thanks to the advanced technology of its power supply and Class-D amp topology, the SRM450 V2 is greater than 90 percent efficient, so more of the power from your outlet goes straight to the transducer, without the power supply and amp giving off loads of heat. Less heat means better performance, and longer life.
For more detailed features and specifications for the Mackie SRM450 V2 Active PA Speaker, please download the PDF from the link below.
Dimensions for Individual Speaker:
Based on the amplification concept of the successful FIFTY LINE system, the FORTY LINE system offers high sound pressure levels with professional audio quality. Compact cabinet measurements, and lightweight enclosures, make the FORTY LINE the perfect choice for professional public address systems.
Useful for most sophisticated applications, the FORTY LINE is easy to handle, small in size and totally portable. The basic set consists of two QL15 active subwoofers and two passive QL12 tops. The QL15 subwoofer is a solid bass-reflex subwoofer with a highly stressable 15″ woofer with a 3″ voice coil. The 3-channel amplifier, which is integrated in the QL15, provides 500watt/RMS for the internal 15″ and 200+400 watt/RMS for the top unit.
A digital processor, which handles the active frequency crossover, also has an integrated time and phase correction unit, active EQ unit, and extensive protective circuitry, which ensures perfect sound reproduction and the safe operation of the power amplifier stages at all times. The QL12 top uses a 12″ mid woofer and a 1″ driver with a pure titanium diaphragm.
All speaker components are designed by dBTechnologies and are produced under the highest quality criteria. The specially designed HF-horn offers a wide and clear dispersion (90°x60°). As a result of these selective measurements utilizing high-class components and superior assembly processes, together with active separation and delay adjustment, the QL12 top reaches a sound pressure level of up to 128dB of crystal clear sound. A high frequency boost switch is incorporated to adapt the high frequencies to a particular acoustical environment when required.
If additional Bass SPL is required, for example during open-air performances, the basic FORTY LINE System may be extended by two QL 152 subwoofers. Due to its multi-chamber band-pass construction and the two efficient 15″ woofers, the QL152 subwoofer, which is powered by the integrated 800watt/RMS Class-H amplifier, supplies an incredible 134dB, ranging from 40-90 Hz. All amplifiers of the FORTY LINE system are equipped with powercon mains connectors with loop through. The internal temperature controlled fan and all amplifiers are protected by a dust filter. The enclosures are made of multiplex, coated with a robust lacquer in Cobalt Blue. The subwoofer features mounting points for a trolley, and the top features a flange for a stand and three M10 threaded fly points. Due to their optimized position, the threaded fly points automatically offer an inclination of 20°.
The QL15 subwoofer has a compartment built in to accommodate the mains cable and the 4-core speaker cable to connect to the QL12 top unit. Mains cable and the interconnecting cable for the QL12 are included with the QL15.
If additional Bass SPL is required, for example during open-air performances, the basic FORTY LINE System may be enlarged with the addition of 2 QL 152 subwoofers
Given the fact that the frequency response of the QL15 is reduced to the frequency range of 90 – 200 Hz, not only is the bass sound reflection much more powerful, the low mids profit too! Due to its multi-chamber band-pass construction and the 2 efficient 15″ woofers, the QL152 subwoofer, which is powered by the integrated 800watt/RMS Class-H amplifier, supplies an incredible 134dB in the frequency range of 40-90 Hz.
Integrated Audio controller
Full-Wave-Limiter
40 – 90 Hz
Deliver reliable wireless audio performance with the Sennheiser EM100 G3 receiver – a professional-grade unit designed for live events, theatre, and corporate use. Known for its stability and ease of setup, this receiver forms the backbone of one of the most widely used wireless systems in the industry.
Operating on UK Channel 38, this unit ensures legal, interference-resistant operation for multi-channel setups.
Included with Hire:
Key Features:
The Rode M5 Cardioid Condenser Microphone, Matched Pair are premium-grade small-diaphragm condenser pencil mics designed for studio and live recording applications. From drums to choirs, and acoustic guitars to pianos. You name it, these microphones excel on it. Thanks to their low noise and full frequency response, the M5s will relay every source with an incredible degree of accuracy, no nuance will be missed.
You’ll find that achieving great sounds is as simple as setting up the microphones, connecting them to your desk or interface and pressing record. Their ultra-discrete design guarantees the finest performances and capture possible. This enables you to get up close to the source for optimised recordings without generating “red light fever”.
With no more than 1dB of sensitivity between each microphone, you’ll be provided with an ideal stereo representation of each and every source. Whether you work on-the-road, or in-the-studio, be the engineer that gets the call thanks to Rode.
The Rode NT5 Studio Condenser Microphone is a premium-quality condenser mic with a wide frequency response and low self-noise – resulting in exceptional sonic accuracy. The 0.5-inch gold-sputtered diaphragm offers a wide frequency response, so you can record every single detail.
No background noise. No feedback. Just clear, uncoloured sound. The NT5 boasts a cardioid polar pattern, providing maximum gain before feedback. That means your microphone picks up what’s important – your performance. Ideal for recording acoustic instruments, overheads and more; the NT5 provides unparalleled clarity, capturing every nuance of your performance.
Performance and practicality combined. The NT5 offers dual power operation, giving you maximum flexibility when you need it most. What’s more, the robust nickel-plated body stops knocks and drops damaging your capsule. The NT5 also comes complete with a range of accessories including a carry bag, a windscreen and a mic adapter.
Compact condenser mic ideal for vocals, instruments, and live use.
The AKG C1000S Microphone is a robust small-diaphragm condenser microphone system designed for studio, stage, and location recording. It delivers clear, articulated audio across vocals, acoustic instruments, percussion, and even broadcast applications. It features switchable cardioid and hypercardioid patterns, includes a presence boost capsule, low-cut filter, and a -10dB pad for handling loud sources.
The Shure Beta 57A Dynamic Microphone puts you at the forefront. With a powerful Neodymium magnet onboard, it’s ideal for capturing almost any sound source. You won?t need large amounts of equipment to capture your talent. Just one versatile microphone.
When you want to give your music some character- don’t reach for the EQ. Reach for the Beta 57A. Thanks to a finely tuned frequency response, you’ll be heard with extra definition and clarity.
The mic’s supercardioid polar pattern ensures that your sound source is well isolated. Whether you’re on stage or in the studio, you can be sure that the Beta 57A will give you crisp, clean results with exceptional off-axis rejection. It?s the perfect choice for drums, guitars, brass, woodwind, vocals, and more.
The Shure SM57 is a famed and reliable instrument microphone that has seen use on all kinds of records and on countless live instruments. With its iconic sound signature and unbeatable construction, the Shure SM57 set the benchmark for microphone design, earning itself a lifetime residency in every recording studio and venue in the world.
For over fifty years, the Shure SM57 has been making its mark on music. From the guitars on Nirvana’s Nevermind. To the snare on ACDC’s Back In Black. The list is endless.
Enjoy unrivalled versatility. If you only ever own one microphone, make it an SM57. You’ll soon discover why it’s the cornerstone of every engineer’s collection.
Be heard. When you’re up on stage, you want your vocals to shine. With the Shure Beta 58A, they’ll do exactly that. Gracing the stages of legendary musicians such as Paul McCartney, Chris Martin, Trent Reznor, and more, the Beta 58A is a modern classic with unparalleled reliability.
An essential microphone for any vocalist. This premium mic has been tuned and tailored to deliver crystal-clear sound with phenomenal control. Natural presence boosts at 4kHz and 9kHz cut through the mix like a hot-knife through butter. With such authority and definition, your vocals will blow your audience away night after night. And with Shure’s solid construction, even the rowdiest of stages won’t stop your show.
The Shure SM58 is a go-to choice for vocalists, public speakers, and performers who need reliability in busy live environments. Its focused cardioid pickup helps your voice stand out by rejecting background noise from drums, amps, or crowds. You can grip it without worry thanks to an internal shock mount that stops handling noise reaching the mix. A built-in pop filter tames harsh plosives, so you get a cleaner vocal sound straight away. And because the SM58 is built to survive the knocks of touring, you can keep using it night after night without second guessing its condition.
The Shure Beta 52A with Mic Stand for Kick Drum is a customisable package comprising a Shure Beta 52A bass drum microphone, complete with essential accessories such as a low boom mic stand and an XLR microphone cable. Choose the ideal configuration for your setup using the drop-down menus.
Designed specifically for kick drums and other low-frequency instruments, the Beta 52A delivers focused attack and deep low-end response that translates well in both live and studio environments. Its tailored frequency curve helps the kick drum sit clearly in the mix without excessive EQ.
The supercardioid pickup pattern provides strong isolation, reducing spill from nearby drums and stage noise. This makes the microphone particularly effective on loud stages and in tight drum setups.
The Sennheiser e902 Dynamic Cardioid Bass Instrument Microphone captures every detail of your low end. Tuned for precise audio capture, you’ll get deep, responsive sound, all the way down to 20 Hz.
The e902 keeps the focus on the sound you’re trying to capture and absolutely nothing else, thanks to its cardioid polar pattern, its noise-reducing hum compensating coil, and a built in shock mount to prevent low frequency rumbles that interfere with the deep bassy sounds you want to hear. Its sound is clear, clean, and direct, making it great for both studio recording and capturing live performances without any unwanted information in the signal.
From guitars to drums, you’ll bring warm, full character to your instrumentation. Thanks to a robust metal chassis, you’ll never have to worry about knocks and drops getting in the way of your session.
The Sennheiser e609 Silver Supercardioid Dynamic Microphone is expertly designed for capturing the raw energy of guitar cabinets, offering a direct, face-on miking technique that sits extremely close to the source. This super-cardioid microphone excels in isolating the guitar sound from other signals onstage, making it also suitable for close miking drums, particularly toms.
Its rugged metal body and advanced shock-mount design ensure durability and reliability under the most demanding live performance conditions. The e609’s hum compensating coil effectively eliminates electrical interference, delivering a clean and focused sound.
The Sennheiser e604 is a compact dynamic cardioid microphone designed specifically for miking drums, snares, and other percussion. It’s quick and easy clip-on feature allows for flexible positioning on most drum kits, making it a versatile tool for live performances and studio recordings. The microphone’s frequency response and cardioid pick-up pattern are finely tuned for capturing the essence of percussive instruments, delivering exceptional audio quality that rivals high-end studio condenser microphones.
With its capability to handle very high sound pressure levels (in excess of 160 dB) without distortion, and a reinforced glass fibre body that withstands impacts and suppresses handling noise, the e604 offers both resilience and superior sound fidelity. Additionally, its lightweight voice coil ensures extended high frequencies and rapid transient response, making it an ideal choice for capturing dynamic performances.
The lightmaXX Cannon Shot FX TWO is a compact shooting unit for firing electric confetti and streamer cannons. Here, two confetti and streamer cannons can be fired simultaneously or individually. This is possible via the supplied radio control or via DMX. The lightmaXX Cannon Shot FX TWO is designed with safety in mind, which is why the shooter has a DMX safety channel so that the shooter cannot be accidentally triggered via DMX. On the top of the Cannon Shot FX TWO is a safety LED installed, so you can see if there is still voltage on the shot channel.
Also, the mounting on a truss was thought of, on the bottom is an M10 thread, so conventional couplers can be easily fixed for mounting. Of course, the lightmaXX Cannon Shot FX TWO can also be placed on a flat surface without an additional base plate. So you can use it almost everywhere.
We can supply a wide range of confetti cartridges to suit your event. Prices range from £7 to £20 per cartridge, depending on size and type. Options include:
Colours: Black, Dark Blue, Dark Green, Light Blue, Light Green, Metallic Gold, Metallic Silver, Metallic Silver & White, Multi-Colour, Orange, Pink, Purple, Red, White, Yellow
Lengths: 50 cm, 80 cm
Materials: Metallic PVC, Tissue Paper
Shapes: Hearts, Square, Streamers
Effect Range (approx.): 6 m, 12 m, 20 m
Please note that not all combinations of colour, material, shape, and length are available. Contact us for more information on availability.
Electronic Till Drawer with Lock & Push‑Button Release
A robust and reliable cash drawer ideal for events, pop-up bars, ticket desks, and retail setups. Designed for fast-paced environments, this unit provides secure and organised cash handling with both manual and electronic access options.
The drawer features 8 coin compartments and 4 note sections, giving you plenty of space to keep cash neatly separated and easy to manage during busy service periods. Supplied with locking keys for secure operation, it also includes a wired electronic release controlled by a large red mushroom push button – perfect for quick, hands-free opening when speed matters.
Key Features:
Simple, practical, and built to handle the demands of live service environments.
A robust and intuitive cue light system designed for theatre productions, live events, and technical productions where clear, silent communication is essential.
This 8-way system provides reliable cueing between a central control position (typically DSM or stage management) and multiple outstations around the venue. Each station features a clear, simple signalling workflow:
For added flexibility, the system also includes an amber indicator, which can be triggered from the outstation after acknowledging standby. While the primary acknowledge function converts flashing red to steady red, the amber light provides a simple way to signal back to the DSM if there’s an issue or a need to hold the cue – for example, indicating “stand by, not ready yet” without requiring additional comms.
A simple, dependable solution for ensuring cues are seen, acknowledged, and executed with precision.
• High-quality bright images: 3LCD technology and equally high White and Colour Light Output.
• Portable: Small and light enough to be moved easily and used in multiple rooms.
• High quality sound: Built-in 5W speaker for crisp, clear sound.
| Brightness (Normal) | 3400 ANSI Lumens |
| Native resolution | 1,024 x 768 |
| Aspect ratio | XGA (4:3) |
| Contrast ratio (typical) | 15,000:1 |
| Technology | 3LCD |
| Lamp Life | 6000 Hours |
| Horizontal Keystone | +/-30 Degrees |
| Vertical Keystone | +/-30 Degrees |
| USB 2.0 ports quantity | 1 |
| HDMI ports quantity | 1 |
| VGA (D-Sub) ports quantity | 2 |
| RS-232 interface | 1 |
| Colour | White |
| Dimensions W x D x H | 309 x 282 x 87 mm |
| Weight | 2.7 Kg |
PROFESSIONAL EVENT SHADE & COVER SOLUTION: Our commercial 3m x 3m pop-up canopy provides 9 square metres of covered space, perfect for sound and lighting setups at festivals, outdoor gigs, corporate events, or private parties. Spacious enough for staging equipment, mixing desks, or lighting rigs while keeping your team and instruments protected from sun or rain. Ideal for trade shows, concerts, outdoor theatre, and other events where professional coverage is essential.
QUICK AND EASY SET-UP: Designed for rapid deployment, this canopy can be set up by one or two people in minutes – no tools required. Simply open the pre-assembled frame, fit the canopy over the top, extend the legs, and you’re ready to go. Adjustable height settings (2.27 m, 2.38 m, 2.47 m) allow flexibility for different equipment setups, while the thumb latch lock system ensures a secure and easy lock/release.
HEAVY-DUTY COMMERCIAL FRAME: Built to withstand the rigours of repeated hire, the 25 mm thick square steel legs and robust cross truss structure provide stability even in windy conditions. The 500 Denier polyester canopy with PU lining offers UPF 50+ protection, is heat-sealed for waterproofing, and blocks 99.98% of UV rays, keeping equipment and crew safe in all weather.
VERSATILE USE: Perfect for live music events, DJ performances, outdoor theatre, festivals, or corporate events. Can be used indoors in large halls or gyms for lighting and sound setups, or outdoors in gardens, parks, or event sites. Includes three removable sidewalls and one door wall for additional protection or versatility depending on the venue.
WHAT’S INCLUDED: Commercial 3m x 3m pop-up canopy frame, canopy top cover, 3 removable side walls, 1 door wall, roller bag, 4 weight bags, and 4 stakes with ropes. Rugged, durable roller bag for transport.
Stay connected and coordinate your team with ease using the Motorola XT420 Series two-way radios. Built to military specifications, these radios offer exceptional durability, crystal-clear audio, and reliable performance in tough, high-noise environments.
Kit Includes:
Key Features:
Ideal for events, site management, security teams, and any situation where reliable communication is essential.